When I was young I could only dream about a massive and powerful AMP. I bought it. Another one in a month. The Third one I’ve bought when the second one died after the light was out.
So, then i thought – “Why should i pay so much money? The goal is to master my picks and licks. Maybe i should try something… smaller?”
So, here it is: my personal TOP of Best Small Amps!
|1||Orange OR15H||15W||22.1 pounds||1|| Check|
|2||Orange DA15H Dark Terror||15W||15.43 pounds||2|| Check|
|3||VOX PB10||10W||14.9 pounds||7|| Check|
|4||Peavey 6505 MH||20W||34 pounds||3|| Check|
|5||Egnater Tweaker||30W||25 pounds||6|| Check|
|6||Fender Super-Champ X2 HD||15W||19.8 pounds||5|| Check|
|7||Orange Micro Terror||20W||2 pounds||4|| Check|
|Orange DA15H Dark Terror|
|Peavey 6505 MH|
|Fender Super-Champ X2 HD|
|Orange Micro Terror|
A couple of decades ago, no proper guitar setup could get away without a big, bulky, and expensive amplifier. Musicians even took pride in owning those heavy pieces of equipment – they were some kind of a “bad-boy badge.” However, these days, thanks to the technological progress, the small amps that never used to be taken into consideration are now more than capable of handling the needs of the regular folks.
The biggest companies in the business felt the demand among the beginners and pros and decided to dedicate years of hard work (and tons of money, of course) to create the modern-day line up of portable, affordable, and less powerful amplifiers that offer quite an attractive alternative for the touring players and the practicing musicians.
What You Need To Know Before Buying A Small Tube Amplifier
Again: unless you crank the amp up to 11, the tubes won’t be able to deliver that one-in-a-million tone that you were searching for. And since most of us live with our friends/partners/family members and/or rent tiny apartments, pushing everything to the limit is not really an option. Well, with a small guitar amp, you’ll be hitting that “G spot” every single day. As we just learned, small amps are perfect for jamming at home, practicing, and doing gigs. At the same time, you’ll need to be careful with your choice and make sure the amp you take home won’t be buzzy and/or sound thin. This is probably the most important thing to take into consideration.
In this article, we’ll review the best small tube amps that will make every single penny you pay for them worth it. That’s right: we went through countless amps on the market and chose the ones that offer the best balance between quality and price. Most big-time players out there will tell you that it’s vital for your first amp to sound good. It will get your creative juices flowing, that’s for sure. What about the digital modeling amps that are becoming more and more popular? Aren’t they a better choice for the “bedroom musicians?” No, they’re not. And here’s why.
The Magic Of The Tube – What’s So Special About It?
True, digital and solid-state amps are pretty impressive today and can provide quite a decent tone – even at super-low levels. Plus, they are versatile and come packed with lots of controls that allow you to fine-tune the sound. Still, no matter how good these are, there’s no competition for the tube amps when it comes to the tone.
Plus, the pre-set factory tone and character will always be there, no matter how much you tweak the sound. It’s important to know these things before you rush to the closest store, because, chances are, the amp you pick will be with you for many years, if not decades.
On the other hand, that single tone will beat whatever the digital world has to offer. Plus, it’s a known fact that tube amps work with effects pedals better and will give you more room for maneuvering. As mentioned above, low-watt tube amps are usually not that loud (they have less headroom if you want the technical term) and that lovely overdriven sound is much easier to achieve.
Is A Low-Watt Tube Amp Loud Enough?
Please don’t let all that fancy talk on the Internet fool you: even a 1-watt tube amp will be enough to fill up a bedroom or a small venue (same goes for the 5-watt tube amp models).
Well, it took a lot of hard work and we had to read through the most popular forums, including Gearslutz and such to figure out exactly what the guitarists are looking for and which models they praise.
Small low-watt amps are the stars of the show today, but there are still some “hidden dangers”, especially when you don’t know what it is that you’re looking for. So, stick around and let us join forces in trying to find the best bang for the buck. I’m sure there is at least one amp that will steal your heart.
The Art Of Picking Just The Right Small Tube Guitar Amplifier
Now, even though there’s no need to stack up huge Fender/Marshall amps in your living room anymore, there is still some “nerdy” stuff that we’ll need to talk about before going through the list of the best tube guitar amplifiers.
Making Sense Of Wattage And Volume
Here’s the most important thing you gotta remember when dealing with small amps: a linear boost in wattage doesn’t necessarily mean you’ll get the same amount of boost in volume. In plain and simple English, if you pick a 110-watt amp over a 100-watt one, the first amplifier isn’t going to be exactly ten percent louder – that’s not how this works.
So, what should you be looking at for a home setup?
This might come as a surprise to use, but a small tube amp with less than 10-15 watts under the belly is the best choice. The master control will allow you to keep the volume at a suitable level and still enjoy the benefits of overdrive. Or, if you’re not an admirer of that legendary tube tone, keep Gain at a moderate level and tune up the master volume.
As you can see, there are enough options for a comfortable practice in a tiny room both for the fans of dirty and clean tones. Personally, tube-based distortion is like music to our ears. But that might not be the case for you.
Amp Heads And Combo Amps – What’s The Difference?
You probably already know that there are two setups, or, rather, configurations, when it comes to guitar amps: heads and combos. Heads are significantly cheaper and lighter, simply because they can’t make a sound unless you plug them into a nice pair of speakers.
Depending on the cabinets and speakers, the tone will change a lot, giving you different “colors” to play with. Here’s the biggest downside: if you cash in for a head and a cabinet, you’ll end up spending more bucks than on a combo. Along with being more affordable, combo amps always have the same tone, which is important if there’s a big gig coming up and you want to be in total control of the sound.
True, the speaker can also be changed – that’s not a problem – but the cabinet is there to stay. I can’t really say which configuration is better, because they both have been around for many decades and carry a significant value for musicians.
Cabinets are available in two configurations – open and closed. An open-backed cabinet will give you a warmer, fuller tone because the sound has more space to fill. A close-backed cabinet, in turn, is more direct and focused, as the sound is only moving forward. By the way, a cabinet is where you put the speaker.
That is why I mentioned in the previous chapter that you are stuck with it and won’t be able to change like, say, the speaker. This might not matter much to a beginner, but if you’re an experienced musician, I bet you already know about these subtle differences and will make your choice wisely.
The Size Of The Speaker
The bigger the speaker, the more low-end it will be able to handle. That’s equally true for the studio monitors and the DJ speakers. The mid and high frequencies don’t need that big of a woofer, but for the bass to be nice and punchy, you’ll need to look for something large. Amplifiers with big speakers have a warm, round, full sound.
It’s still pretty big for that low-end bass rumble but not particularly huge to become muddy and lose its crystal-clear character (that’s usually what happens with the 15-inch speakers). Yep, the size of the speaker has a lot of impact on the sound of your guitar tube amp.
Voicing: What Is It All About?
Ever heard musicians talk about the voicing of a certain amp? That basically means what tone the manufacturer had in mind while working on it. For example, an “American/US voicing” means the amplifier in question will sound like a true Fender.
On the other hand, a “British/UK voicing” means that it’s going to have that trademark Marshall tone (hello, classic rock fans) or sound similar to the best Vox amps (remember The Beatles?) I know you probably don’t want to read about the slight differences between various tubes, let alone the technical side of things (like how does it all work), but let me tell you this:
Our List Of The Best Low-Watt Amps On The Market
Ok, it’s time to get down to business. We learned everything we needed to be able to pick just the right low watt tube amp. Now we get our hands dirty and take a look at the finest offers available to us around the globe.
First, we’ll check out the amp heads, as they are more affordable and will be a great start. Once we’re done with them, the combos will come forward. Alright, let’s get crackin’!
Orange is not a rookie in this business. They’ve been around for decades and managed to build quite a name for themselves. As for the OR15H 15W, it’s one of the finest small amps you’ll find on the market right now. The greatest feature of this thing is that it allows you to switch between 7 to 15 watts. And I’m not just talking about different watt numbers – I’m talking about changing between different headrooms and responses. True, this won’t affect peak volume that much, but the headroom will certainly feel the difference. Like we discussed earlier, when the 7-watt mode is on, the sweet distortion will kick in earlier (meaning at a lower volume level).
I have to say that if not for this intriguing capability, the amp is not really that impressive in terms of versatility. The set of features is limited; you won’t get multiple channels or a boost. At the same time, if your setup is right, you won’t even need any of that. Besides, distortion/boost pedals are pretty cheap these days and you can get one from your local store. So, if you’ve got 700 bucks to spare, I’d highly recommend checking this beast out. This is a small guitar amplifier, but it’s got enough “attitude” to satisfy even the grumpy old-timers. Is it worth the price-tag? It is if you know exactly what to do with the different wattage options. It weighs 17.77 lbs. (8 kilograms).
- Single channel
- 3 band EQ
- 4 Stage Gain section
- 3 – 12AX7 and 1 – 12AT7
- 2 EL84 Power
This amp is almost an exact copy of the OR15H we just reviewed and will cost you 50 bucks less (the street price is $650). The DA15H is perfect for the fans of metal and blues, along with classic rock. The metal heads swear by it, and for a good reason.
The driving tones between the mids and the highs sound great on this amplifier, giving you the necessary hyped up feeling for those killer riffs. And, just like its sibling, this bad-boy doesn’t have many outboard controls. Gain, volume, and shape – that’s all you’ll get. The raw tone is what really counts, and it’s got plenty of it. This amp weighs 12.46 lbs. (5, 65 kilograms; not heavy at all) and features the same 7-/15-watt switch.
- Tube driven FX loop
- High gain preamp
- Gig bag
- It is uncompromisingly brutal, doubtless unhinged, even ferocious
- The Dark Terror rises from the ethereal depths to fulfil the every desire of the Heavy Metal and Rock guitar players
For the bassist, VOX introduces the newest member of the Pathfinder family, the Bass 10. This dual-speaker, deep-thumping, portable amp is ideal for the on-the-go bass player. In addition to Treble and Bass tone-shaping controls, the Bright switch offers an edgy boost to the upper harmonics. Turning up the Drive control provides a warm, bass distortion that adds character and vitality to the tone. The Pathfinder Bass 10 pumps out 10 Watts into a pair of 5-Inch VOX bulldog speakers. A headphone/line output jack is also provided for silent practice, and for recording.
- Bass and Treble tone-shaping controls; plus a Bright switch to enhance the upper harmonics
- The Drive controls dials in a soft, warm bass distortion to fatten up the sound
- Dual 5-Inch Bulldog speakers (powered by the 10 Watt amp) move plenty of air for a great bass sound
- Headphone/Line output for recording or late-night practice sessions
- Classic VOX look and feel
Even though this is a pretty tiny amp (it’s not the smallest tube amp, but pretty close), 6505 MH has what it takes to battle the big brothers. Now, this is a 2-channel amplifier and they both have their respective Pre-Gain and Post-Gain knobs. There is only one 3-band EQ. The channels are called Rhythm and Lead, and the first channel comes with 2 switches: Crunch makes it break down and overdrive; Bright makes the sound cleaner and more precise. For fine-tuning the final tone, go to the Power Amp section and do your thing with the Presence and Resonance controls. Around back, you have even more options.
First, the amp allows the user to switch between 1, 5, and 20 watts (and it sounds like one of the best 1 watt tube amps; same goes for the 5- and 20-watt modes). Furthermore, you are free to choose between 8 and 16 ohms. Plus, Peavey put a USB output that can be plugged directly into a computer. For only 499 bucks, this is one hell of an offer.
- 2x EL84 power tubes and 3x12AX7/ECC83 preamp tubes
- Two footswitchable channels with 3-band EQ
- Footswitchable crunch on Rhythm channel
- Footswitchable reverb
- Footswitchable buffered effects loop
This is one of those cheap tube amplifiers that bring the heat and can compete with the most expensive alternatives. I can say with absolute certainty that this is one of the most versatile amplifiers on God’s green Earth. You’ve got three “modes” to switch between, including AC (Vox), American (Fender) and British (Marshall). Furthermore, once you’ve chosen between the three, the vintage/modern control will allow you to fine-tune your perfect tone even more. Finally, there are two more switches at your disposal: tight/deep and normal/bright. I told you this is one of those one-man-band types of amplifiers!
And now we gotta talk about the sad part. Despite the fact that all this versatility is truly marvelous and gives you great control over the sound, none of those tones is going to sound like the original. Say, the Vox tube amplifiers come with a unique sound that the Tweaker 15W is simply not capable of reproducing fully. Same goes for the rest of the amp models. The bottom line is – if you’re looking for that “dream tone” (like, say, Fender), don’t even waste your time considering this amp. Yet, if flexibility is what you are after and the various tones will help you create better music, then this 400-dollar amp should be on your list of must-haves (and it weighs 19.6 lbs/8.8 kgs).
- Elite 50 Loaded.
- 30 Watts RMS
- Partial Open Back Cab Design.
- Void-Free Birch Ply Construction.
The best-selling Super-Champ series is actually a modeling amp that’s hiding inside the body of a tube amp. Hands down, when it comes to versatility and flexibility, this is the best pick. The best thing about the X2 HD 15W is that you are free to dial in as many tones/effects as your heart desires. Pair it with a solid footswitch and fire away! However, even though this is a tube amplifier at heart, with modeling amps you always get a digital tone, which might be a turn-off for the fans of “analog” sounds. On the other hand, for most of us, it sounds just fine and the added versatility is only a huge plus. In all fairness, you’ll be able to feel the subtle difference only if you’re a big-time pro.
With this tube guitar amp, you get 15 watts of power and two speaker outs. It weighs 18, 5 lbs. (8, 3 kilograms), and that makes it a portable piece of gear. If it’s a particular tone that you’re looking for, this Fender baby might not be up your alley. But, if you want an amplifier that will back you up no matter the genre, the choice is obvious. With the right set of mind and a pair of capable hands, you’ll be able to make it sound like whatever you want (you’ve got 16 amp types and 15 effects to pick from). It’s not built to match the high demands of the grunge fans or the bluesmen. This is a workhorse, and for a price of 300 dollars, I say this is a great bang for your buck.
- 15 Watt
- Class A / B
- 2 x 6V6 tubes and 1 x 12AX7 tubes
- Controls: Volume1, Channel Select, Gain, Volume 2, Voice, Treble, Bass, F / X Adjust, F / X Select, Tap
Admit it: this amp looks too adorable for you to think that it can fill out an entire room with awesome sounds. Nevertheless, this little fella is on par with the leaders of the industry. The finest thing about this amplifier is that it’s a hybrid head. That means you get a tube pre-amp along with a solid-state power amp. How does that sound? The famous overdriven tone is still there. Plus, the company’s trademark exquisite sound is like music to our ears. On the front panel, this Orange tube amp has limited controls. For tone, there is only one single knob, which means versatility isn’t really this amp’s strongest suit.
At the same time, it is the loudest and mightiest amplifier on the market of cheap-yet-proud equipment. For just $149.00, you’ll get the sweetest deal on the market. If you’re a fan of the famous Orange tones, rest assured that this little warrior has got you covered on all fronts. Note: the tone knob is very sensitive; be gentle with it. For metal, this isn’t the best pick. But for the modern-day “poppy” rock music and classic rock, this is it. In many regards, Micro Terror is the best small tube amp for the beginners. Even the pros will appreciate what it can do.
- Power: 20W (hybrid)
- Tube: one 12AX7 tube preamp with solid state power amp
- Controls: Volume, tone and Gain
- Headphone output & Aux input for MP3
|1||Fender ’57||5W||19.8 pounds||1|| Check|
|2||Vox AC4HW1||4W||32 pounds||5|| Check|
|3||Vox AC15C1||15W||56.1 pounds||4|| Check|
|4||Fender Blues Junior III||15W||36 pounds||2|| Check|
|5||Vox AC4TV||4W||24.7 pounds||6|| Check|
|6||Bugera V5||5W||22.1 pounds||7|| Check|
|7||Fender Mustang I V2||20W||17 pounds||3|| Check|
|Fender Blues Junior III|
|Fender Mustang I V2|
This amp is all about legacy. According to statistics, the good-old tweed Champs have been in large demand since they entered the market. ZZ Top, Eric Clapton, Aerosmith, and other iconic bands used these amplifiers to create some of their best songs. As for the ’57 Custom Champ, it’s a lovely reproduction of a vintage piece of gear. It comes with a Weber speaker which was specifically designed to reproduce the retro sound. The built-in tube rectifier is also there to achieve that “bloomy” tone that we all came to love and cherish. If you’re one of the OGs, you’ll most definitely shed some nostalgic tears, because Fender did a great job with this one.
Now, even though the amp is not cheap and costs 1000 dollars, this is quite an affordable option considering what it has to offer. As you know, vintage amplifiers are not very affordable, especially the tweed models. Plus, they are fragile and you need to always be ready for all kinds of technical defects. Thankfully, with the ’57 Custom Champ, you get the sweet tone in a brand-new amp that’s tough and sturdy. If you can afford this beast, it might just turn out to be the best practice amp in your life and give you the right inspiration to create legendary rock ballads like the ones I just mentioned. It weighs 15 lbs. (6, 8 kilograms) and is good for 5 watts.
- Renown for its flexibility, ease-of-use, and knockout tone this is the classic sound heard on thousands of recordings
- A wide variety of playable tones inhabit this hand-wired performer from crisp, classic cclean to naturally compressed overdrive that responds remarkably to guitar volume and picking dynamic changes
- The Fender 5F1 circuit used in the 57 Custom Champ has become legendary for its heightened dynamic response and sweet sounding tube overdrive when pushed
- A 12AX7 preamp tube matched to a classic 6V6 power amp tube generates this in-demand overdrive
This hand-wired amp is only good for 4 watts, but that doesn’t mean it’s weak or anything like that. This might sound like total BS to you, but the old gear heads believe that amps with hand-wired connections sound more old-school than the ones wired to one single circuit board. I can’t either confirm or deny that. This isn’t even the most intriguing part. The really cool fact is that AC4HW1 features less than 5 watts of power, but, unlike most amps on the market, it’s paired with a mighty 12-inch speaker. This means you’ll get the tone of a huge amp and still enjoy the warm, rich, attractive tone that a small-wattage amp provides.
Vox put a boost switch for additional control over the sound and 2 inputs – high/low gain. Even though this doesn’t seem like much, if you know what you’re doing, these controls will allow you to achieve a wide array of both distorted and clean tones. For those lovely British tones, AC4HW1 is perfect. It costs 800 dollars and weighs 29.74 lbs. (13, 5 kilograms).
- 4 Watt Class A combo amplifier; Hand-wired, turret board construction
- Reinforced cabinet (with natural HF diffuser); Wrapped in vintage Fawn vinyl
- Tube complement: 12AX7 (x 2); EL84 (x 1); 12-Inch Celestion GM 12 Greenback
- TOP BOOST: Volume, Treble, Bass; Cool/Hot Switch; High & Low inputs
Vox never disappoints – that’s what it’s famous for. As for these amplifiers, they look and feel a lot like each other. So, what does that X at the end mean? It means that with CX1, you get a CAB speaker (great news for the fans of the traditional Vox flavor). It’s more precise and makes those high-end frequencies shine through. The Greenback speaker that’s packed with C1 prevails when it comes to distorted sounds and handles the low-end and the midrange better. Both C1 and CX1 are good for 15 watts, which gives you enough headroom to enjoy the clean tones before hitting the breaking point. For overdrive, you’ll have to push it a bit hard (but still keep the volume down).
The weight of the amps is a bit disappointing: 48.5 lbs. (22 kilograms). Both amplifiers are good for pretty much every genre out there except for maybe old-school jazz and modern-day metal. Reverb and tremolo give the user more room to maneuver, and while there aren’t as many tone controls as in other amps, it doesn’t mean these Vox models aren’t versatile. For CX1, prepare to pay $800. C1 costs $650.
- 10 Watt tube combo offering the classic VOX Top Boost tone
- EL84 power tubes; 12AX7 preamp tubes
- Custom 10″ VX10 speaker made by Celestion
- Simple but effective Gain, Bass, Treble, Reverb, and Master Volume controls
This is another fine offer from Fender. Right now, Blues Junior is one of the most popular, loved and respected low-watt tube amps. For only 600 dollars, this amplifier offers a quality level that’s simply unmatched by its rivals. So, if you can’t afford the ’57 Custom Champ, this banger right here will be what the doc ordered. FBJ III Lacquered Tweed comes with a speaker that sounds just like the expensive vintage speakers from the legends. I’m not saying the Eminence that is packed with the standard FBJs is bad; it’s a matter of personal preference, and if retro tones are your thing, then this is what you need.
The amp weighs 31 lbs. (14 kilograms) and is 15-watts-strong. Along with the standard Master Volume knob and controls for low, mid, and high frequencies, the owners will also get a FAT switch that gives a nice boost to the middle. For solo guitar parts and lead lines, this gives a very smooth yet visible boost that makes them sound better. And let’s not forget about the spring reverb. For surf rock, this ‘verb sounds awesome. Same goes for the other genres of rock and pop. Fender doesn’t fool around when it comes to amps, that’s for sure.
- VERY limited edition
- 15 watts all valve
- Lacquered tweed finish
- Combo amp
Hey, if The Rolling Stones, The Beatles, and a bunch of other big-time bands from the 60s loved these amps, that means they are pretty cool, right? According to numerous happy customer reviews, international ratings, and lists of the best small tube amps, AC4TV is the closest thing to perfection. The manufacturer did a terrific job of “reincarnating” an amp from 1961 called AC4. Essentially, it’s a 4-watt tube amplifier that can be switched to 1 and 0.25 watts). The 10-inch speaker is lovely; the pair of a preamp 12AX7 and a power EL84 tubes is also worth your highest praise. The AC4TV weighs 20 lbs. (9 kilograms). It doesn’t feature an onboard reverb.
The ability to switch between different watts is a God-sent. So when you find yourself in a situation where you need to be extremely quiet but still want that overdriven sound, go with 0.25 watts. The 16-ohm speaker output allows you to connect this amp to a bigger, stronger speaker that will fill out a larger venue (during a gig, for example). Note: this amp gets dirty very soon, which means if you’re after clean sounds, scratch this baby from your list. But if that’s not a problem, you’ll be getting what many pros out there are calling the best low watt tube amp on our planet.
- Up-to-date, Class A version of the 1961 classic AC4 – with additional 16 Ohm output
- EL84 power tube; 12AX7 preamp tube; custom-made VX10 Celestion 10″ speaker
- Retro-chic “TV” front styling shared by the 1958 AC15
- Simple but effective Volume, Tone and Power controls deliver that British top-end tone
The price-tag on this amp is ridiculous. For just $200, It sounds great and works like a 1000-dollar piece of gear. The 8-inch speaker is fabulous; the ability to switch from 5 watts to 1 watt and even 0.1 watts will come in handy if you’re cramped up in one room with your roomies. And, it weighs only 22 lbs. (10 kilograms), meaning this is a portable amp. In case you didn’t know, Bugera belongs to Behringer, another big name in the industry. Initially, their task was to offer folks on a budget the best possible sound. The super-affordable price-tag and the marvelous vintage tone turn V5 Infinium into one of the best tube amps on the market, if not THE best one.
You can achieve everything from clean, to slightly “broken”, to an overdriven and saturated tone. Build quality is great. The built-in reverb is a nice addition. With the 0.1-watt mode on, you’ll get that rich tube drive at a super-low volume level, even though it won’t be as rich and full as in the regular 5-watt mode. The speaker is solid; it could be better, though, but for 200 bucks, it’s a banger.
- Hand-built 5-Watt Class-A amplifier driven by 1 x EL84 tube
- Revolutionary INFINIUM Tube Life Multiplier technology
- Way cool vintage look and feel
- World-famous, British engineered 8” TURBOSOUND speaker
Technically, this isn’t a tube amp – it’s a modeling amplifier (just like the Super-Champ), but I simply had to put it on our list. The Mustang series created a lot of buzz when it was first released. First of all, these amps sound amazing. Second, they are very user-friendly and intuitive. And finally, they look and feel just as dope as the best Fender gear. And with the introduction of the V2 series, the amplifiers are packing even more heat than ever before. With the Mustang I V2, you’ll get not one, but 17 amp models and they all have their unique, inspiring tones. The list of effects is also quite impressive. Furthermore, the USB cable allows you to connect it to your computer and take advantage of the FUSE software.
It gives access to even more amps and settings, turning this combo into a powerful tool for creating outstanding rock music. The Mustang I V2 is very versatile and can be both dirty and clean. According to many pros, this amp has the finest high-gain overdrive on the market. And while Orange’s Micro Terror is probably the leader of the small amps (the heads), V2 is the best combo amp. And here comes the most pleasant part: it will only cost you 119.99 dollars, which is by far the best deal on our list. What can I say – Fender definitely knows how to appeal to the sound junkies with just the right tones and price-tags.
- With a turn of a knob, choose from clean to mean tones from the 17 various amp models that will accommodate almost any genre of music.
- Shape the on-board amp models ‘on the fly’ or dig deep and edit them with your computer using the included Fender FUSE software to further alter the included effects such as reverb, delay/echo, tremolo, phaser and many more.
- Jam along with your favorite tracks by simply plugging your MP3 player into the Auxiliary input and you instantly become part of the band and /or practice privately with the 1/8th headphone output jack that also mutes the speaker output.
- Capture moments of inspiration and build songs using the included Ableton Live Lite 8 Fender Edition studio quality recording software compatible with either MAC or PC, Controls:Gain, Volume, Treble, Bass, Master, Preset Select, Modulation Select, Delay/Reverb Select, Save Button, Exit Button, Tap Tempo Button
Alright, that’s it for our list, ladies, and gentlemen. we introduced to you 14 amps – 7 heads and 7 combos. Hopefully, this article was helpful and you’ll end up buying one of these amplifiers and creating chart-topping music with it. Fender, Vox, and Orange are the leaders of the industry. But, as we learned today, other companies are also capable of manufacturing high-class equipment for the guitar players. Sure, there are more outstanding amps out there, and we’ll be happy to learn about them in the comments. However, the ones we discussed offer the best balance between quality and affordability.
Besides, according to numerous sources, these are the amplifiers that the modern-day musicians trust. The price range is wide: from 120 dollars to one grand. Ultimately, the thickness of your wallet will decide which one you pick; but, regardless of your choice, the amps will be worth every last penny. They say that an amp can tell a lot about its owner. Well, if you go with one of the 14 models that we personally hand-picked for you, rest assured that people will see you as a tech-savvy rocker who knows exactly what kind of gear he/she needs. So, crank those amps up to eleven, set just the right tone, grab your favorite guitar, and let the neighbors know they’ve got a noisy neighbor!