Since the early 1910s producers have experimented with adding electronics to their acoustic guitars, improving them over time. These days, the range of electro-acoustic guitars is incredible.
|#||Model||Rating||String Configuration:||Material||Our top||Check|
|1||Epiphone Hummingbird Pro||6 String||Spruce, Cherry, Mahogany||3|| Check|
|2||Takamine GD11MCE||6 String||Mahogany||2|| Check|
|3||Fender FA-345CE Auditorium||6 String||Mahogany||1|| Check|
|Epiphone Hummingbird Pro|
|String Configuration:||6 String|
|Material||Spruce, Cherry, Mahogany|
|String Configuration:||6 String|
|Fender FA-345CE Auditorium|
|String Configuration:||6 String|
Electro acoustic guitar characteristics
Difference between acoustic and electro acoustic guitar is obviously the electronics. An acoustic guitar without electronics projects the sound through its wooden body. The woods used for the construction of an acoustic guitar influence the sound. A quality acoustic guitar is usually constructed of solid fir, cedar or other woods that produce a clear and articulate sound.
The body size of the acoustic guitar also influences its tone. Larger instruments with dreadnought or jumbo shapes offer more volume with warmer, more rounded tones. The smaller guitars like the 000 concert models have a brighter sound and accentuate the mid and high frequencies at the expense of the bass.
The preamp is a circuit that preamplifiers the sound of the guitar and in many cases, it also has an equalizer and tuner. To use a preamp on a guitar, you must also install a microphone or a pickup. Electro-acoustic guitars include everything previously installed from the factory so that you only worry about playing. At the time of recording a “normal” acoustic guitar needs a microphone, a mixer, and some speakers; an electro-acoustic guitar only needs a cable, and an amplifier.
Epiphone Hummingbird Pro
Often the history of music is also a history of images, of particular icons and very often the icon par excellence is the guitar. Instruments related to particular periods or musicians we love. The fact that an instrument we like aesthetically will probably mean that our approach is better; in short it will lead us to play it better or with more taste.
The Hummingbird, born in Gibson’s house in 1960, is one of these instruments. From the particular charm, from Keith Richards to Sheryl Crow passing through many others, a right balance between elegance, tradition, eccentricity. Of course, not everyone has the opportunity to afford the original Gibson. But you can try the “budget” version of Epiphone.
- Solid Spruce top
- Heritage Cherry Sunburst finish
- Classic Kalamazoo era design
- The Hummingbird’s mahogany neck features a 24.75″ scale, a SlimTaper™ shape, and a rosewood fingerboard with split parallelogram markers.
- The Hummingbird features a Solid Spruce top. Spruce is a rich and complex tonewood that begins to breath and improve with age the more its played.
The back and sides are in mahogany laminate, the rosewood fingerboard (not dry and the color “strange” as often happens in guitars of this band), ditto the bridge.
The neck of medium size, far from the Ibanez acoustic to understand, is painted; you can see the veins of the mahogany. Jumper and nut are made of plastic material; they will have to be changed as soon as possible with something more worthy.
- Frets: 20 average
- Nut width: 1.68 “
- Hardware: Nickel Machine head:
- Grover & # 8482; 14: 1
- Strings: D’addario Phosphor (12-53)
- Pickup: Shadow & # 8482; NanoFlex & # 8482;
- Preamplifier: Shadow & # 8482; ePerformer & # 8482;
- Controls: master’s degree; Treble EQ; Bass EQ
The mechanics are Grover, of a more modern but well-functioning style. The pre-amplification system is the Shadow ePerformer, with pickups under the NanoFlex jumper, always produced by Shadow. The controls are more or less the usual: we have sharp, bass, volume, phase switch and a control called Dynamic, which more than being a compressor acts as a contour in which one extreme emphasizes the average, the other the bass and the acute, digging the sound.
The system gives us a quite natural sound, very usable in most live situations, far from the plastic sound of some old generation piezo, but also from the naturalness of the systems that include internal microphones. The balance of volume between the strings is there and this is one of the most important elements.
For a price that is around $350 the GD11MCE is really a great instrument. It is an instrument for everyone that seems ideal for those who start as well as for those who need a good “workhorse” to combine with something much more expensive.
- Construction of body and neck of all-quality mahogany
- Mahogany provides warmth and resonance with distinctly sweet mid-range
- Dreadnought body shape for loud acoustic volume and full-frequency response with slight mid scoop
- Unique split for advanced high fret access
- Natural finish for smooth to the touch and better resonance
- Takamine TP-4T pickup/preamp system for natural amplification for rehearsals and concerts
- Useful built-in tuner and 3-band EQ for sculpting tonal when amplified
- Laminated tonewoods offer great sound and a less susceptible to deformation over time
- Body of Auditorium cutaway offers versatility, making it ideal for numerous genres and musical genres
- Fishman preamp offers test environments and basic tone shaping options for living
- Natural glosses finish & flame maple laminate the best offers of great visual impact appearance
- Inlays and fingerboard Tastitone FA offer elegant appearance
Its cavernous body naturally provides excellent acoustic volume and a full range tone that is perfect for both playing disconnected and through an amplifier. If you like to strum, digit puncture or flat-plectrum, the GD11MCE has the ability to cover every style at an affordable price.
The GD11MCE is built entirely of quality solid mahogany and reinforced with an X-brace model, just like the most expensive tools. Mahogany is finished in a natural protection to show its unmistakable warm tone. The color of the wood is a good indication of how this guitar sounds and the GD11MCE offers a warm tone with a sweet mid-range sound in contrasting natural medium cut of the body shape.
The natural finish provides a soft and tactile feel, helping you to slide up and down the neck; its light nature also assists with guitar resonance and sustain.
The GD11M includes Takamine’s pickup system and TP-4T preamplifier so you can connect it to an amplifier or a mixing desk and perform live on stage (or make direct recordings). TP-4T is mounted on top of the guitar body. It has controls to modify the sound, including a complete 3-band Equalizer to sculpt your tone. A practical built-in Tuner also provides the ability to make quick adjustments between songs, with a clear LCD screen at the top of the guitar.
Fender FA-345CE Auditorium
The Fender FA-345CE has a body of auditorium cutaway, which offers a comfortable playing experience due to its more compact size and split profile. In addition, the auditorium body offers the musicians an electro multipurpose acoustic guitar, its shape and size are able to accommodate numerous musical genres, from the lightest, heaviest folk inspiration finger-plettroing techniques, the more aggressive the strumming pattern.
This magnificent Fender FA-345CE Auditorium electro-acoustic guitar is an atypical model within the Fender range.
In the end, this FA-345CE is a success both aesthetically and in terms of pure performance and will be appreciated in all contexts, at home or on stage.