Best Acoustic Electric Guitar Under 800

In this price range, we can afford an electro-acoustic guitar from a well-known brand, Martin and Taylor. Some famous brands that produce “top-of-the-range” guitars sometimes have even a line of cheaper guitars that have their own brand.

Martin

Martin is a brand of acoustic guitars with almost 200 years of tradition, since their beginnings they have specialized in acoustic guitars with metal strings and their instruments are recognized as the best on the market. The C.F. Martin & Company or simply Martin is among the most famous and renowned in the world! It has produced some of the best guitars on the market and has made an important contribution to the creation of sound and folk and pop music.

Martin LX Ed Sheeran “Divide” Signature Electro Acoustic Guitar

To be pronounced “Divide”, the guitar re-proposes the now classic Little Martin form with new woods and updated electronics. It is the third instrument from the collaboration between Martin Guitars and Ed Sheeran. On one shoulder, the logo of the album appears in the form of laser engraving, and is also repeated on the palette and on the fretboard, as markers. Like the other models of the trio dedicated to the British singer-songwriter, Divide prefers a simple aesthetic in which the woods are the protagonists. The top is in Sitka Spruce, the back and sides are in Mahogany HPL. Equipped with the Sonitone Fishman this Little Martin is ready for the stage.

Specifications:

  • Body style: Modified 0-14 Fret
  • Top material: Solid sitka spruce
  • Bracing: Solid spruce 5/16”
  • Pattern: “X”
  • Back and sides material: HPL (High Pressure Laminate)
  • Neck material: Rust Birch Laminate
  • Joint: “Dovetail”
  • Nut material: White Corian
  • Fretboard material: FSC® Certified Richlite
  • Frets: 20
  • Scale: 23 “
  • Fretboard width at the nut: 1-11 / 16 “
  • Fretboard width at the 12th fret 2-1 / 16 “
  • Bridge: Junior Style Belly
  • String spacing on top of the bridge: 2-1 / 8 “
  • Tuners: Chrome
  • Electronics: Fishman Sonitone
  • Strings: Martin SP Acoustic 92/8 Phosphor Bronze Medium (MSP4200)
  • Accessories: Gig Bag Martin&co

Martin D Jr. E Dreadnought Guitar

Martin Dreadnought Junior is an instrument made of solid wood. The sound is defined and powerful. The affordable price of the Dreadnought Junior is ideal for anyone who aspires to that clear and deep tone that defines Martin instruments for almost 200 years.

  • Top material: Solid Sitka spruce
  • Back and sides: Sapele
  • Bracing: Scalloped X-Bracing
  • Neck material: Select Hardwood
  • Neck profile: High Performance Taper
  • Fretboard material: FSC® Certified Richlite
  • Scale: 24”
  • Width at nut: 1-3 / 4”
  • Bridge material: FSC® Certified Richlite
  • Electronics: Fishman Sonitone
  • Mechanics: Chrome Enclosed Gear
  • Strings: Martin SP Acoustic 92/8 Phosphor Bronze Medium (MSP4200)
  • Accessories: Martin Soft Gig bag

Sapele wood, sometimes marketed as mahogany sapele, has a reddish color similar to American mahogany (Swietenia), has a tight weave and interwoven fibers. Anyone who has ever caressed the idea of ​​owning a Gibson Les Paul knows this wood well. In red color and with a thick and regular pattern, sapele is appreciated in electric as well as acoustic instrument for its ability to structure a warm and deep sound, with a good dose of medium frequencies. It used by the well-known brands Esteve, Ibanez, Larrivée, Martin, Taylor and Ashton.

Martin DRS1

The Martin DRS1 acoustic guitar has a body made of solid sapele with a neck built by a multi-laminate called Stratabond. The Stratabond is produced from white birch, during processing it is dyed and laminated in large blocks before being sculpted into shape. The DRS1 is equipped with a reinforcement of the “X” structure (X-bracing). In a sense, the DRS1 looks a lot like the D-15M guitar, with a single-layer black pickguard and 3.2mm inlays. Ebony composite was instead used for the fretboard and the bridge. A small piece of luxury could be offered by the slice of Indian rosewood mounted on the face of the headstock, it is actually a high pressure laminate (HPL).

The DRS1 acoustic guitar boasts of a Fishman Sonitone system, which features a pre-amplifier mounted on the pit with rotary volume and tone controls located within the lower side of the pit. Although this guitar was not released by Martin’s American factory, there is no trace of excess glue and the satin finish is smooth and even. Although the DRS1 is a decidedly heavy guitar, it remains a comfortable one to play. At sound level the DRS1 has a noisy and lively tone. The mids offer a nice tone for fingerstyle, flatpicking. Overall, the DRS1 is reactive with a nice dynamic projection.

Taylor Academy 10e

This Dreadnought is characterized by all the essential features that make a great acoustic guitar, and all at a very reasonable price. The Academy series was designed with the guitarists in mind, so the aim was to create a comfortable and performing instrument. On a technical level the guitar is characterized by a solid Sitka spruce top combined with a Sapele back and sides. The armrest allows a comfortable brace while the short 24-7/ 8 “scale, the 11/16” nut and the non-scaled strings make the fretboard soft and fast. The Taylor ES-B electronics is equipped with simple and intuitive controls, as well as the chromatic tuner with LED display.

  • Body style: Dreadnought
  • Top material: Solid sitka spruce
  • Back and sides: Sapele
  • Neck: Sapele
  • Nut material: Tusq
  • Fretboard material: Ebony
  • Frets: 20
  • Scale: 24-7/8 “
  • Fretboard width at the nut: 1-11/ 16”
  • Bridge material: Ebony
  • Inlays: “Dot”
  • Electronics: Taylor ES-B®
  • Mechanics: Chrome-plated Die-Cast
  • Strings: Elixir Phosphor Bronze Light
  • Accessories: Taylor Gig Bag

Yamaha A3R

The guitars of the A Series have been designed for the guitarist looking for quality and modernity, with an extremely pleasant design, a disconcerting playability and first choice materials. The Yamaha A3R is a dreadnought guitar with a missing shoulder and high quality hand-selected Sitka spruce top, solid rosewood back and sides. The original Yamaha dreadnought body style perfectly complements the elegant appearance of the A series while the System 63 electronics with S.R.T. pickups, microphones simulations and 3-band equalization ensure high quality amplified performance.

  • Body style: Dreadnought
  • Top: solid Sitka spruce
  • Back and sides: solid rosewood
  • Neck: mahogany
  • Fretboard: ebony
  • Width at the nut: 43 mm
  • Scale: 650 mm (25 9/16 “)
  • Bridge: ebony
  • Electronics: Yamaha System 63 S.R.T.
  • Mechanical: Diecast Chrome
  • Hardware: chrome-plated
  • Accessories: rigid case

Guitar bracing

The acoustic instrument lives its sound life, as reflected in amplifying the sound produced by the string, so dimension, material; types of guitar bracing are all fundamental elements in the timbre of these instruments. Primarily it is the quality of the string, the material, and the type of scaling that determines the final result accordingly. So it’s vitally important to make sure you have the correct information, usually provided by the manufacturer, on which set to fit. The big brands, Martin, Taylor, Guild, know how important this factor is.

One of the elements that significantly determine the sound of an acoustic guitar is definitely the chain or bracing. This term refers to the system of wooden supports, often in fir, that support from the inside and reinforce the soundboard and the bottom of acoustic guitars thanks to a shaping designed to improve the acoustic performance and the physical resistance of the guitar.

Specifically, the back does not have a particular importance with respect to the sound characteristics of the instrument, but above all it serves to support the structure. On the contrary, the soundboard is fundamental to the sound, so every manufacturer devotes great care to its design and construction, studying height, shape, thickness and smoothing of the rods with extreme precision. The evolution of bracing has markedly marked the evolution of the instrument, determining the transition from romantic to modern guitar. The crucial moment was the introduction of Christian Frederick Martin’s X-shaped bracing in 1855, which completely transformed the concept.

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